Solo Studio Albums
| Year | Album | Label |
|---|---|---|
| 1998 | Kuruption! | Antra Records |
| 2001 | Space Boogie: Smoke Oddessey | A&M / Artemis |
| 2004 | Against the Grain | Doggystyle / Koch |
| 2009 | Streetlights | Penagon / Rap-A-Lot |
| 2010 | Gangsta Rap Returns | Chambermusik |
Tha Dogg Pound (Group Work)
| Year | Album | Collaborator |
|---|---|---|
| 1995 | Dogg Food | Daz Dillinger |
| 2005 | Dillinger & Young Gotti II | Daz Dillinger |
| 2007 | 100 Wayz | Daz Dillinger |
| 2011 | Dogg Pound Gangsta LP | Daz Dillinger |
| 2019 | DPG4Life | Daz Dillinger |
Death Row Era Contributions
| Year | Project | Role |
|---|---|---|
| 1993 | Death Row Records Compilation | Featured artist |
| 1994 | Above the Rim Soundtrack | Featured artist |
| 1996 | West Coast Thug Compilations | Contributor |
Selected Singles
- We Can Freak It (1998)
- H-Bone Intro (1998)
- Girls All Pause (1999)
- It's Over (2001)
- Callin' Out Names (2004)
- Yo Sassy Ways (2009)
- Get Down (2010)
Style and Influence
Kurupt is known for his rapid-fire lyrical delivery, battle-ready rhyme schemes, and versatility across both hardcore gangsta rap and more melodic West Coast production styles. His work with Tha Dogg Pound helped define the sound of mid-1990s Death Row Records.
His solo catalog demonstrates a balance between aggressive lyricism and experimental West Coast production, reflecting his long-standing role in both underground and mainstream hip-hop circles.
Legacy
Kurupt remains a respected figure in West Coast hip-hop, with a career spanning classic Death Row releases, independent projects, and continued collaboration with Daz Dillinger as Tha Dogg Pound.
His influence is especially recognized in technical lyricism and the evolution of West Coast gangsta rap into more lyrically complex forms.