Studio Albums
| Year | Album | Label |
|---|---|---|
| 1991 | Get Away Clean | No Limit / In-A-Minute |
| 1992 | Mama's Bad Boy | No Limit / In-A-Minute |
| 1994 | The Ghettos Tryin to Kill Me! | No Limit Records |
| 1995 | 99 Ways to Die | No Limit Records |
| 1996 | Ice Cream Man | No Limit Records |
| 1997 | Ghetto D | No Limit Records |
| 1998 | MP Da Last Don | No Limit Records |
| 1999 | Only God Can Judge Me | No Limit / Priority |
| 2001 | Game Face | No Limit / Universal |
| 2005 | Ghetto Bill: The Best Hustler in the Game | Guttar Music |
Collaborative and Label Projects
| Year | Project | Group / Role |
|---|---|---|
| 1997 | No Limit Soldiers Compilation | No Limit Records |
| 1998 | Charge It 2 da Game | No Limit Soldiers |
| 1999 | No Limit Top Dogg | Snoop Dogg (No Limit Era Collaboration) |
| 2000 | Tru 2 da Game | TRU |
| 2002 | Down South Hustlers | No Limit Compilation |
Selected Singles
- Make 'Em Say Uhh! (1997)
- I Miss My Homies (1998)
- We Riders (1998)
- Only God Can Judge Me (1999)
- Rock It (2001)
- Bout It, Bout It II (2005)
Style and Influence
Master P is known for a direct, street-centered rap style combined with entrepreneurial branding that reshaped the business model of hip-hop through No Limit Records.
His music reflects the Southern rap tradition of the 1990s, emphasizing hustle narratives, independence, and regional identity while building one of the most successful independent labels in music history.
Legacy
Master P remains a defining figure in Southern hip-hop, credited with proving that independent labels could achieve mainstream commercial dominance without major-label control.
His catalog is closely tied to the No Limit era, which produced one of the most prolific runs of album releases in hip-hop history.