Studio Albums
| Year | Album | Label |
|---|---|---|
| 1995 | Hillwood | Dope House Records |
| 1997 | Hustle Town | Dope House Records |
| 1998 | The 3rd Wish: To Rock the World | Dope House Records |
| 1999 | Never Change | Dope House Records |
| 2000 | Time Is Money | Dope House Records |
| 2002 | Never Change: The Murder Book | Dope House Records |
| 2005 | When Devils Strike | Dope House Records |
| 2008 | Dirty Deeds | Dope House Records |
| 2011 | The Son of Norma | Dope House Records |
Early & Underground Releases
| Year | Project | Label |
|---|---|---|
| Early 1990s | Hillwood Demo Tapes | Independent |
| 1994 | Dope House Compilation Vol. 1 | Dope House Records |
| 1996 | Underground Lab Sessions | Dope House Records |
Selected Singles
| Year | Single | Album |
|---|---|---|
| 1997 | F*** Em All | Hustle Town |
| 1999 | You Know My Name | Never Change |
| 2000 | High So High | Time Is Money |
| 2005 | Mexican Heaven | When Devils Strike |
Collaborations and Features
- Dope House Records collective collaborations with South Texas underground artists
- Houston rap scene features alongside DJ Screw-era affiliates
- Latin hip-hop crossover collaborations within Texas underground circuits
- Guest appearances on regional mixtapes and street compilations
Style and Sound
SPM is known for blending Southern hip-hop with Latin cultural influences, delivering storytelling-focused lyrics over chopped-and-screwed inspired production styles rooted in Houston’s underground scene.
His music often emphasizes narrative realism, street survival themes, and melodic hooks shaped by regional Texas rap traditions.
Legacy
SPM remains a controversial but influential figure in Houston hip-hop history, particularly for his role in establishing independent Latin rap within the Southern rap ecosystem.
His catalog continues to be referenced in discussions of early Houston underground rap and the development of regional Southern hip-hop identity.