Speak and Write Language Series
Sashe na 4 — Unit IV: Tafiya, Ƙaura, da Salon Magana (Travel, Migration, and Expression)
19

Ajami da Tarihin Rubutu

B1–B2 Development · Unit IV, Chapter 4 · Speak and Write Hausa: Independent Communication and Connected Discourse

Chapter Overview

Chapter 19 continues Unit IV by turning from expressive style to writing-system heritage. Building on the cultural awareness developed in Chapter 18, this chapter builds receptive cultural literacy around Ajami, the Arabic-derived script historically and still used to write Hausa, alongside Boko, the modern Latin-based orthography used as the productive default throughout this series. No new grammar system is introduced this chapter; Ajami recognition is treated as receptive, comparative, cultural-literacy material, consistent with the Volume III Ajami Recognition/Script Heritage matrix, which remains Consolidated at C19 for general recognition while Specialized Ajami receptive literacy remains Receptive at this stage in the sequence.

Learning Objectives

By the end of this chapter, you will be able to:

  1. Identify Ajami as a historically and culturally important Hausa writing tradition, distinct from Boko.
  2. Recognize that Ajami is based on the Arabic script and is written right to left.
  3. Compare a short Boko text with its Ajami equivalent and identify general correspondences without full productive command.
  4. Describe, in general terms, the historical, religious, literary, and scholarly contexts in which Ajami has been and continues to be used.
  5. Explain that Boko and Ajami exist together in Hausa-speaking communities rather than one replacing the other.
  6. Continue producing accurate, connected Hausa in Boko using Chapter 1-18 grammar and vocabulary.
  7. Discuss, at a general level, why a community might maintain more than one writing system for the same language.

Communication Scenario

Aisha visits her grandmother, who keeps an old notebook containing prayers and family notes written in Ajami. Aisha, who reads and writes only Boko, asks her grandmother about the notebook. Her grandmother explains what Ajami is, when she learned it, and why she still values it, even though Aisha's generation mostly reads and writes Hausa in Boko.

  1. Domain: writing-system heritage, family memory, and respectful cross-generational discussion, continuing Unit IV's themes of expression and connected discourse.
  2. Developed skill: recognizing Ajami as a script, comparing it with Boko, and discussing its cultural role receptively, consolidating the Ajami Recognition/Script Heritage matrix at C19.
  3. Recycled grammar in context: connected narration, reference tracking, and register/pragmatics, all Consolidated since Chapters 16-18.
  4. All Chapter 1-18 vocabulary and grammar remain active and available throughout this chapter's tasks; Ajami content is introduced as receptive, comparative, cultural-literacy material only.
Kalmomin Rubutu — Core Vocabulary

Core Vocabulary

The nouns below support talking about writing systems, heritage, and family memory. They combine with Chapter 1-18 vocabulary and grammar throughout this chapter's tasks.

HausaGenderPluralMeaning in Context
rubutumrubuce-rubucewriting; a piece of writing
ajamim—Ajami; the Arabic-derived Hausa writing tradition
bokom—Boko; the modern Latin-based Hausa writing system
tarihimtarihohihistory
gadomgadajeinheritance; heritage
littafimlittattafaibook; notebook
rubutun hannumrubuce-rubucen hannuhandwriting; handwritten text
malamimmalamaiteacher; scholar
addu'afaddu'o'iprayer

Kumulative recycling: continue using family and respect vocabulary from earlier chapters, education vocabulary from Chapter 6, and style/proverb vocabulary from Chapter 18 when discussing how Ajami and Boko are learned and valued.

Pronunciation Focus

Sound Focus — Reading names for scripts and books aloud

Practice the vowel length in ajami and tarihi, and keep the special consonant in littafi clear. When reading aloud about Ajami and Boko, maintain natural Hausa phrase rhythm rather than pausing awkwardly at each script name, since these words function as ordinary nouns in the sentence.

Ajami and Writing Heritage

This chapter introduces no new grammar system. Ajami is taught as receptive, comparative, cultural-literacy content: learners recognize Ajami as a script, compare it in general terms with Boko, and discuss its historical and cultural role, but are not required to read or write Ajami productively. This is consistent with the Volume III Ajami Recognition/Script Heritage matrix (general recognition Consolidated at C19; Specialized Ajami receptive literacy remains Receptive at this stage) and the Dialect/Standard Hausa matrix's treatment of script heritage as a labeled, non-stigmatized tradition.

19.1 Introduced: what Ajami is

Ajami refers to the practice of writing Hausa using a version of the Arabic script, adapted with extra marks and letter combinations to represent Hausa sounds not found in Arabic. Ajami has a long history in Hausa-speaking communities, especially in religious education, poetry, historical record-keeping, and correspondence. Boko, the Latin-based script used throughout this textbook, became the dominant script for education, government, and media during the twentieth century, but Ajami did not disappear. Many communities, families, and religious scholars continue to use, read, and value Ajami today.

Language Note — Two scripts, one language

Boko and Ajami are two different ways of writing the same spoken language, Hausa. A word written in Boko and the same word written in Ajami represent the same sounds and the same meaning. Using two scripts for one language is sometimes called digraphia. This chapter treats digraphia as a normal, respected feature of Hausa literacy history, not as a sign that one script is more "real" Hausa than the other.

19.2 Receptive: comparing Boko and Ajami

Compare the following short, high-frequency items in Boko and in Ajami. You are not expected to write Ajami; focus on recognizing that both lines represent the same Hausa words, and that Ajami is read from right to left.

Gaisuwa — Greeting

سلامُ عليكم

Boko: Sannu / Salamu alaikum

A common greeting recognizable in both scripts; the Ajami form shown here reflects the Arabic-origin greeting formula also used in spoken Hausa.

Kalmar Hausa — A Hausa Word

هَوُسَ

Boko: Hausa

The name of the language itself, shown for script comparison only; note the right-to-left direction of the Ajami line above.

Atisayen ƙa'ida — Controlled practice: Without attempting to write Ajami yourself, identify which direction each script is read in (left to right, or right to left), and state one similarity and one difference between the two writing systems based on this section.

19.3 Formulaic: talking about scripts and heritage

  • Kakata ta san rubutun ajami sosai. My grandmother knows Ajami writing very well.
  • Muna koyon boko a makaranta, amma wasu suna koyon ajami a gida ko a makarantar allo. We learn Boko at school, but some people learn Ajami at home or at a Quranic school.
  • Ajami da boko dukansu rubutun Hausa ne. Ajami and Boko are both ways of writing Hausa.
  • These sentences recycle familiar predicate and comparison patterns from earlier chapters; no new sentence structure is introduced here.

    Model Dialogue

    Yanayin hali: Aisha ta ziyarci kakarta kuma ta lura da wani tsohon littafi da aka rubuta da ajami.

    (Setting: Aisha visits her grandmother and notices an old notebook written in Ajami.)

    AISHA Kaka, wane irin rubutu ne wannan? Ban gane haruffan ba.Grandmother, what kind of writing is this? I don't recognize the letters.
    KAKA Ana kiran wannan ajami, 'ya. Rubutun Hausa ne, amma da haruffan larabci.This is called Ajami, my child. It is Hausa writing, but with Arabic letters.
    AISHA To, ba boko ba ne kenan? Amma harshen guda ɗaya ne, ko ba haka ba?So it's not Boko then? But it's the same language, isn't it?
    KAKA Gaskiya kika faɗa. Hausa guda ɗaya ce; kawai muna da hanyoyi biyu na rubuta ta.You've spoken the truth. It's one Hausa language; we just have two ways of writing it.
    AISHA Ina kika koyi ajami, kaka?Where did you learn Ajami, Grandmother?
    KAKA Na koya a makarantar allo tun ina yarinya, don karatun addu'o'i da rubuce-rubucen iyali. Har yanzu ina son wannan gadon.I learned it at Quranic school when I was a girl, for reading prayers and family writings. I still cherish this heritage.

    Tambayoyin fahimta — Comprehension questions:

    1. What does the grandmother call the writing in the notebook?
    2. According to the grandmother, is Ajami a different language from Hausa, or a different way of writing the same language?
    3. Where and why did the grandmother learn Ajami?

    Guided Practice

    Aikin gane — Recognition: Looking at Section 19.2, state which script is written right to left and which is written left to right.

    Aikin zaɓi — Selection: Choose two contexts mentioned in this chapter (for example, religious education, family notebooks, poetry) in which Ajami has traditionally been used.

    Aikin kwatanta — Comparison: In two or three sentences in Hausa, using Chapter 1-18 grammar, explain that Boko and Ajami are both ways of writing Hausa.

    Tattaunawa — Discussion: With a partner, discuss in English or Hausa why a family or community might want to keep both scripts alive rather than using only one.

    Listening Practice

    Ask your instructor, a partner, or a text-to-speech tool to read the following passage aloud, twice. Answer the questions after listening.

    Sauraro — Gadon Rubutu (Listening: A Writing Heritage, Read Aloud)

    "A gidanmu, akwai littattafai da yawa da aka rubuta da ajami, musamman littattafan addu'a da na kakannina. Ni kaina na koyi boko ne kawai a makaranta, don haka ba na iya karanta ajami sosai. Amma ina girmama wannan gado, kuma ina son ɗana ya san cewa Hausa tana da hanyoyi biyu na rubutu, ba ɗaya kawai ba."

    Kula na sauraro — Questions: (1) What kinds of books written in Ajami does the speaker's family have? (2) Which script did the speaker themselves learn at school? (3) What does the speaker want their child to understand about Hausa writing?

    Rubutun sauraro don malami, abokin karatu, ko amfani da rubutun lantarki. Duba amsoshi a sashi na amsoshi.
    (Listening Script for Instructor, Partner, or Text-to-Speech Use. See Answer Key for expected responses.)

    Speaking Practice

    Atisayen ƙa'ida — Controlled substitution

    With a partner, take turns stating one fact about Ajami or Boko from this chapter and identifying whether it describes Ajami, Boko, or both.

    Tattaunawa — Communicative task

    In a small group, role-play a conversation like Aisha and her grandmother's, in which a younger person asks an older family member about an old document, letter, or book, and the older person explains its script and history.

    Madadin karatu kai tsaye — Solo alternative

    Record yourself explaining, in your own words, the difference between Boko and Ajami and why both matter to Hausa-speaking communities.

    Reading Practice

    Read the short passage below. Underline every mention of Ajami or Boko, and note whether each mention is about history, family, or education.

    Karatu — Malamin Allo (Reading: A Quranic Teacher, Short Passage)

    Malam Sule malami ne a makarantar allo ta gari. Yana koyar da yara karatun addu'o'i da rubutun ajami tun suna ƙanana. Yaran kuma suna zuwa babbar makaranta da safe, inda suke koyon boko don karatu da rubutu na zamani. Malam Sule ya ce, "Duka rubutun biyu suna da amfani; ba a bar ɗaya don ɗayan ba."

    Tambayoyin fahimta — Comprehension questions:

    1. What does Malam Sule teach the children, and in which script?
    2. What do the children learn at the other school, in the morning?
    3. According to Malam Sule's closing statement, should one script be abandoned in favor of the other? How do you know?

    Writing Workshop

    1. Karanta misalai da hankali. Reread Sections 19.1-19.3 and the Model Dialogue.
    2. Zaɓi yanayi. Choose a short situation (a family notebook, a conversation with an elder, or a short explanation for a friend) in which Ajami and Boko could naturally be discussed.
    3. Tsara ra'ayoyinka. Note two or three facts about Ajami and Boko from this chapter that you want to include.
    4. Rubuta. Write 60-100 words in Hausa, in Boko, that describe Ajami as a Hausa writing tradition and explain its relationship to Boko, using at least one recycled grammar point from Chapters 1-18.
    5. Duba jerin bincike. Check your draft against the checklist below.
    6. Rubuta siffa ta ƙarshe. Produce a clean final version.

    Jerin binciken gyara — Editing checklist:

    • Ajami is described accurately as a Hausa writing tradition based on the Arabic script, not as a separate language.
    • Boko and Ajami are both mentioned respectfully, without implying that one is more legitimate than the other.
    • The passage remains organized and uses connected discourse, not a disconnected list of facts.
    • At least one recycled grammar point from Chapters 1-18 appears and is used correctly.
    • No Ajami script has been produced by the learner; only Boko text with accurate discussion of Ajami is required.
    • Special characters (ɓ, ɗ, ƙ, ƴ) and apostrophe/glottal conventions are used accurately in the Boko text.

    Culture and Communication

    Culture in Context — Ajami in religious and family life

    Ajami has long been associated with Islamic scholarship, Quranic education, poetry, and family record-keeping in many Hausa-speaking communities. This association is significant and widespread, but it does not mean Ajami is used only for religious purposes; historically it has also served correspondence, historical chronicles, and literary composition. Not every Hausa-speaking family maintains active Ajami literacy today, and that varies by region, generation, and educational background.

    Regional Variation — Script use across communities

    The balance between Boko and Ajami literacy differs across regions and generations. In some communities, Ajami remains actively taught and used; in others, it survives mainly in older documents, religious schools, or specialized scholarship. Boko remains the dominant script for government, education, and media across nearly all Hausa-speaking regions. Treat both scripts as part of a shared heritage rather than assuming uniform practice everywhere.

    Common Mistakes

    Common Mistake — Treating Ajami and Boko as different languages

    Error: Assuming that a text written in Ajami is written in a different language from Hausa written in Boko.

    Correction: Remember that Ajami and Boko are two scripts for the same Hausa language, as shown in Section 19.1 and the Model Dialogue. The words and grammar are Hausa in both cases; only the script differs.

    Common Mistake — Describing Ajami as obsolete or purely historical

    Error: Stating that Ajami is no longer used or that it is only found in old books.

    Correction: Ajami continues to be read, written, and valued by many people today, particularly in religious, family, and scholarly contexts, as described in Section 19.1 and the Culture and Communication notes. Avoid presenting it as extinct or purely decorative.

    Common Mistake — Attempting full Ajami production at this stage

    Error: Trying to write original sentences in Ajami script as a required chapter task.

    Correction: This chapter's Ajami content is receptive and comparative only. Continue writing your own Hausa text in Boko, as in the Writing Workshop, while using this chapter's content to talk about Ajami accurately.

    Chapter Summary

    This chapter continued Unit IV by building receptive cultural literacy around Ajami as a historically and culturally significant Hausa writing tradition, comparing it in general terms with Boko, and discussing the coexistence of both scripts in Hausa-speaking communities, consistent with the Volume III Ajami Recognition/Script Heritage matrix at C19. No new grammar system was introduced; all Chapter 1-18 vocabulary and grammar remained active, and no productive Ajami writing was required.

    Chapter Review

    Sashi na A — Kalmomi (Vocabulary)

    1. Give the Hausa word, gender, and plural for four nouns from this chapter's core vocabulary.

    Sashi na B — Ajami da Boko (Script Heritage)

    1. Explain, in two or three English sentences, what Ajami is and how it relates to Boko.

    2. State which direction Ajami is read in, and which direction Boko is read in.

    3. Name two traditional contexts in which Ajami has been used.

    4. Explain why it would be inaccurate to call Ajami "a different language" from Hausa.

    Sashi na C — Karatu da Rubutu

    1. Reread the Malam Sule passage and summarize it in three to four English sentences.

    2. Write your 60-100-word passage about Ajami and Boko, following the Writing Workshop instructions.

    Sashi na D — Magana

    1. With a partner or in a small group, role-play a conversation in which a younger person asks an elder about an old document and the elder explains its script and history.

    Practical Performance Task

    Aikin Aiwatarwa — Chapter 19

    Ajami da Tarihin Rubutu — Recognizing Hausa Writing Heritage

    Complete all four components, drawing on this chapter's vocabulary and content together with Chapter 1-18 material.

    • Listening: Listen to the writing heritage passage and answer the comprehension questions.
    • Speaking: Role-play a conversation about an old document's script and history.
    • Reading: Read the Malam Sule passage and answer the comprehension questions, including the script-identification questions.
    • Writing: Submit your 60-100-word passage that accurately describes Ajami and Boko in Boko script.

    Evaluation criteria: accurate, non-stigmatizing description of Ajami and Boko as two scripts for one language; correct identification of script direction; appropriate use of receptive-only Ajami content without required productive Ajami writing; accurate recycled use of connected narration, reference tracking, or register/pragmatics; correct gender/plural for chapter vocabulary; coherent connected discourse; accurate ordinary Boko spelling and special characters; comprehensible, task-fulfilling communication appropriate to B1-B2 development within Unit IV.

    Independent Study Tools

    Self-check: Can you explain what Ajami is, how it relates to Boko, which direction each script is read in, and one traditional context for Ajami use, without looking back at this chapter? If not, review the relevant sections before submitting your Practical Performance Task.

    Vocabulary review method: Add this chapter's nouns to your cumulative flashcard set, and add a short personal note on the Boko/Ajami distinction to your reference materials.

    Extra practice: If possible, ask a Hausa-speaking friend, relative, or instructor whether their family or community has any experience with Ajami, and note what you learn as a receptive cultural-literacy item before moving to Chapter 20.

    Answer Key / Amsoshi

    Atisayen ƙa'ida (Script direction, Section 19.2)

    Ajami is read right to left; Boko is read left to right. Similarity: both represent the same spoken Hausa language and its sounds. Difference: they use different alphabets and different writing directions.

    Tambayoyin fahimta na tattaunawa (Dialogue comprehension)

    1. The grandmother calls the writing "ajami."
    2. Ajami is a different way of writing the same Hausa language, not a different language.
    3. She learned it at Quranic school as a girl, in order to read prayers and family writings.

    Kula na sauraro (Listening responses)

    (1) The family has books written in Ajami, especially prayer books and books belonging to the speaker's grandparents. (2) The speaker themselves learned only Boko at school. (3) The speaker wants their child to understand that Hausa has two ways of writing it, not only one.

    Tambayoyin karatu (Reading comprehension)

    1. Malam Sule teaches the children prayers and Ajami writing.
    2. At the other school in the morning, the children learn Boko for modern reading and writing.
    3. No, both scripts should be kept; Malam Sule states that both writing systems are useful and that one is not abandoned for the other.

    Sashi na B (Chapter Review Ajami and Boko)

    1. Sample: Ajami is a way of writing Hausa using an adapted form of the Arabic script. Boko is the modern Latin-based script used for most education, government, and media today. Both represent the same spoken Hausa language.
    2. Ajami is read right to left; Boko is read left to right.
    3. Sample: religious education (Quranic schools) and family record-keeping or correspondence.
    4. Sample: Ajami and Boko both represent the Hausa language; only the script and, in some cases, the learning context differ, so calling Ajami "a different language" would be inaccurate.

    Sashi na C (Sample writing)

    Ajami wani rubutu ne na Hausa da ake amfani da haruffan larabci wajen rubuta shi. Boko kuwa rubutu ne na zamani da ake koyarwa a makarantu. Kakannina sun san ajami sosai, amma ni na koyi boko ne kawai. Ko da yake haka ne, ina son sanin cewa Hausa tana da hanyoyi biyu na rubutu, kuma dukansu suna da muhimmanci.

    Other accurate, well-formed passages meeting the stated requirements are equally acceptable.

    Looking Ahead

    Abin da ka/ki koya — What you have learned

    This chapter continued Unit IV by building receptive cultural literacy around Ajami and the Hausa written heritage, comparing it with Boko, and applying Chapter 1-18 grammar and vocabulary to discuss writing-system history respectfully, consistent with the Volume III matrices at C19.

    Mai Zuwa — Coming Up

    Chapter 20, Aikin Ƙarshe: Bayani Mai Haɗi, completes Unit IV and Volume III with a connected discourse project that integrates research, media input, discussion, and extended writing, building on the style, expression, and writing-heritage awareness developed across Chapters 17-19.