Speak and Write Language Series
Ìdìpọ̀ IV — Èdè Yorùbá Aláṣẹ, Ẹ̀kọ́, àti Àgbègbè Onírúurú · Unit 4 — Consolidation and Capstone Preparation
18

Àtúnṣe Ohùn, Àkọtọ́, àti Ọ̀nà Kíkọ

Editing for Tone, Orthography, and Style · Speak and Write Yorùbá: Professional, Academic, Civic, and Cross-Regional Yorùbá

Chapter Objectives

By the end of this chapter, you will be able to:

  1. Apply a full grammar and style editing checklist to a long, advanced Yorùbá text.
  2. Diagnose an error by matrix category — tone, orthography, particle, pronoun/reference, serialization, word order, or register — rather than correcting by instinct alone.
  3. Distinguish a tone error from a dot-under spelling error, even when both affect the same syllable.
  4. Identify and repair ambiguous or overloaded reference chains across several sentences.
  5. Recognize when a sentence is grammatically correct but stylistically inconsistent with formal register.
  6. Explain a revision decision clearly, citing the matrix category the error belongs to.
  7. Maintain the Standard Written Yorùbá production baseline and full diacritics while editing and while explaining edits.
  8. Edit a long text and produce a written explanation of the revisions made.

Opening Communication Scenario

Adé has been asked to proofread a colleague's draft report before it is submitted to the community education committee that heard the Chapter 17 presentation. The draft is competent but uneven: some sentences drop tone marks under time pressure, one paragraph loses track of who "they" refers to, and one section slides into a casual register that does not match the rest of the report. Adé must find and name each problem precisely, not just make the text "sound better," so the colleague can learn from the correction.

  1. This chapter treats editing as a diagnostic skill: naming what kind of error occurred, not only fixing it.
  2. No major new independent clause type is introduced. The chapter consolidates a full editing checklist across every matrix category active in this volume.
  3. By the end of the chapter, you will edit a long text and explain your revisions by matrix category.

Core Vocabulary

This chapter's vocabulary supports naming error types, describing revisions, and discussing style and register precisely.

Editing and revision vocabulary — Chapter 18
YorùbáEnglishFunction
àtúnṣecorrection, revision, editingcore noun
àṣìṣe ohùntone errorerror-category noun phrase
àṣìṣe àkọtọ́orthographic/spelling errorerror-category noun phrase
àìdánilójú ẹni tí a ń tọ́ka síambiguity about who is being referred toreference-error noun phrase
ìtòsí gbólóhùnword order, sentence arrangementsyntax noun phrase
ọ̀nà kíkọ tí kò bára mua writing style that does not match / is inconsistentregister-error phrase
ẹ jẹ́ kí n ṣàyẹ̀wò rẹ̀ padàlet me review it againediting-process frame
ìdí tí mo fi ṣe àtúnṣe yìí ni pé...the reason I made this revision is that...explanation frame
ó bára muit matches, it is consistentevaluative phrase
àtòjọ àyẹ̀wòchecklistcore noun phrase
Ohùn Ìfihàn

Pronunciation Focus — Reading Aloud for Proofreading

Focus — Hearing tone errors by reading a draft aloud

This chapter's pronunciation focus is using reading aloud as a proofreading tool. A tone error that the eye skips over on a page is often audible immediately when the sentence is spoken naturally, because the wrong tone produces the wrong word or a wrong-sounding phrase.

  • Read each sentence aloud at ordinary speaking speed before checking it silently; a flattened or misplaced tone often reveals itself in the mouth before it is caught by the eye.
  • When a sentence "sounds wrong" but the grammar looks correct on paper, suspect a tone or dot-under spelling issue rather than a word-choice issue.
  • Read a corrected sentence aloud a second time after editing to confirm the revision actually resolves the ambiguity or awkwardness, rather than only looking correct in writing.
Gírámà àti Àtòjọ Àyẹ̀wò

Grammar and the Editing Checklist

This chapter does not introduce a new independent clause type. It consolidates every language-system matrix active in this volume into a single editing checklist, and it develops the discourse skill of diagnosing an error by matrix category before revising it.

The Full Editing Checklist

Checklist categories

Tone → Orthography → Particles → Pronouns/Reference → Serialization → Word Order/Clause → Register/Style

Working through categories in a fixed order prevents an editor from fixing an obvious surface error while missing a subtler structural one underneath it. Each category corresponds directly to a Part III matrix from the governing scope.

Distinguishing a Tone Error from an Orthography Error

Draft

Ó wá sí ilé ìwé láti ko àwọn ọmọ.

Revised

Ó wá sí ilé ìwé láti kọ́ àwọn ọmọ.

Here the draft's ko lacks both the mid-to-high tone shift and the dot-under vowel needed for "to teach"; without correction it reads as an unrelated or incomplete form. Tone Matrix Orthography Matrix — this is a combined tone-plus-dot error, not a grammar error, since the sentence's particle placement and word order are already correct.

Identifying a Reference Chain Error

  • Olùkọ́ náà bá akẹ́kọ̀ọ́ méjì sọ̀rọ̀. Wọ́n sọ pé òun kò mọ ìdáhùn náà. The teacher spoke with two students. They said that they/he/she did not know the answer. ambiguous pronoun — unclear whether "òun" refers to the teacher or a student
  • Olùkọ́ náà bá akẹ́kọ̀ọ́ méjì sọ̀rọ̀. Àwọn akẹ́kọ̀ọ́ náà sọ pé àwọn kò mọ ìdáhùn náà. The teacher spoke with two students. The students said that they did not know the answer. repaired — the noun phrase is restated instead of relying on an ambiguous pronoun

This is a Pronoun/Reference Matrix error. The grammar of each individual sentence is correct; the problem is that the pronoun does not clearly point back to one participant once a second potential referent has been introduced.

Identifying a Register Error

Draft — mid-report

Ẹ jọ̀wọ́ ẹ ṣàkíyèsí pé kì í ṣe ọ̀nà kan ṣoṣo ni àwọn ọ̀dọ́ ń gbà kọ́ èdè náà. Àmọ́ sá, ó máa ń wá bá wọn lọ́nà tó yàtọ̀.

The second sentence shifts into a colloquial connector and particle usage that does not match the formal register of the first.

Revised

Ẹ jọ̀wọ́ ẹ ṣàkíyèsí pé kì í ṣe ọ̀nà kan ṣoṣo ni àwọn ọ̀dọ́ ń gbà kọ́ èdè náà. Ṣùgbọ́n, ó máa ń dé ọ̀dọ̀ wọn ní ọ̀nà tí ó yàtọ̀ síra.

Both versions of the second sentence are grammatically well-formed. This is a Register/Style issue: the informal connector and phrasing are appropriate in conversation but inconsistent with the formal report register established in the surrounding paragraph.

Recognition note — Editing as diagnosis, not instinct

A skilled editor names the category of an error before fixing it. "This sounds wrong" is a starting point, not an explanation. Naming the category — tone, orthography, particle, reference, serialization, word order, or register — is what allows a writer to learn from the correction rather than simply receiving a different sentence.

Ìjíròrò Àpẹẹrẹ

Model Dialogue

Ipò: Adé ń ṣàyẹ̀wò àkọsílẹ̀ Kúnlé kí ó tó fi ránṣẹ́ sí ìgbìmọ̀ àgbègbè.
Setting: Adé is reviewing Kúnlé's draft report before it is sent to the community committee.

KÚNLÉ Ǹjẹ́ o ti wo àkọsílẹ̀ mi? Kí ni o rí nínú rẹ̀? Have you looked at my draft? What did you find in it?
ADÉ Bẹ́ẹ̀ ni, ẹ jẹ́ kí n ṣàyẹ̀wò rẹ̀ padà pẹ̀lú rẹ ní báyìí. Ní ìpínrọ̀ kejì, o kọ "ko" nínú "láti ko àwọn ọmọ", àmọ́ ohun tí o ní lọ́kàn ni "kọ́", pẹ̀lú àmì ohùn àti àmì ojú. Yes, let me review it with you now. In the second paragraph, you wrote "ko" in "to ko the children," but what you meant was "kọ́," with the tone mark and the dot.
KÚNLÉ Ah, mo rí i báyìí. Kí ni mìíràn? Ah, I see it now. What else is there?
ADÉ Ní ìpínrọ̀ kẹta, o sọ nípa olùkọ́ àti akẹ́kọ̀ọ́ méjì, o sì lo "òun" lẹ́yìn náà; a kò lè mọ̀ dájú bóyá olùkọ́ ni tàbí ọ̀kan lára àwọn akẹ́kọ̀ọ́. Ó dára láti tún orúkọ wọn sọ dípò lílo arọ́pò orúkọ tí kò ṣe kedere. In the third paragraph, you mention the teacher and two students, and then you use "he/she"; we cannot be sure whether it's the teacher or one of the students. It's better to restate their names instead of using an unclear pronoun.
KÚNLÉ Ó yé mi. Ǹjẹ́ ìṣòro kan sí wà nípa ọ̀nà tí mo fi kọ̀wé rẹ̀? I understand. Is there also a problem with the style I wrote it in?
ADÉ Bẹ́ẹ̀ ni. Ní ìpínrọ̀ kẹrin, gbólóhùn kan yí padà sí ọ̀rọ̀ àsọyé lásán tí kò bára mu pẹ̀lú ìyókù àkọsílẹ̀ náà, tí ó jẹ́ ti ìwé àṣẹ. Mo dábàá kí a mú un padà bọ̀ sí ọ̀nà kíkọ tí ó bára mu. Yes. In the fourth paragraph, one sentence shifts into ordinary casual speech that doesn't match the rest of the report, which is a formal document. I suggest we bring it back into a consistent style.
KÚNLÉ Ó dára, mo fẹ́ ṣe àtúnṣe wọ̀nyí kí n tó fi ránṣẹ́ sí ìgbìmọ̀ náà. Alright, I want to make these revisions before I send it to the committee.

Guided Practice

  1. Identify the three errors Adé finds in Kúnlé's draft, and name the matrix category for each one.
  2. Explain why Adé recommends restating a noun phrase instead of simply choosing a different pronoun.
  3. Explain what makes the fourth-paragraph sentence a register error rather than a grammar error.
  4. Find one additional sentence-level example (from an earlier chapter's reading passages) where a formal and an informal version of the same sentence would differ, and explain the difference.
  5. Write one sentence containing a deliberate tone-plus-dot error, then write the corrected version and name the matrix category.
Apá Gbígbọ́

Listening Practice

Ask an instructor, study partner, or qualified Yorùbá speaker to read the passage below aloud at a measured pace, or read it aloud yourself and then cover it before answering.

If no speaker is available, this is a Listening Script for Independent Use. Machine text-to-speech must be checked by a qualified Yorùbá speaker before use as a pronunciation model.

"Ní ọ́fíìsì ètò-ẹ̀kọ́ kan, olùdarí kan fún olùrànlọ́wọ́ rẹ̀ ní iṣẹ́ láti ṣàyẹ̀wò àkọsílẹ̀ kan kí ó tó jáde sí gbogbo ènìyàn. Olùrànlọ́wọ́ náà kọ́kọ́ ka àkọsílẹ̀ náà sókè, ó sì ṣàkíyèsí pé gbólóhùn kan nínú rẹ̀ kò ní àmì ohùn tó tọ́ ní orí ọ̀rọ̀ kan tí ó yí ìtumọ̀ rẹ̀ padà pátápátá. Ó tún rí i pé ìpínrọ̀ kan lo arọ́pò orúkọ ní ọ̀nà tí kò ṣe kedere, tí ó jẹ́ kí àwọn òǹkàwé má lè mọ ẹni tí ó ń sọ̀rọ̀ nípa rẹ̀. Nígbẹ̀yìn-gbẹ́yín, ó rí ìpínrọ̀ kan tí ó yí padà sí ọ̀nà ìbánisọ̀rọ̀ lásán tí kò bá ìyókù àkọsílẹ̀ náà mu. Ó ṣe àtúnṣe sí gbogbo rẹ̀, ó sì kọ àkọsílẹ̀ kúkúrú kan tí ó ṣàlàyé ìdí tí ó fi ṣe àtúnṣe kọ̀ọ̀kan, kí olùdarí náà lè kọ́ nínú rẹ̀."

1. What is the first error the assistant finds, and what category does it belong to?

2. What is the second error, and why does it cause confusion for readers?

3. What does the assistant do after making all the corrections?

Iṣẹ́ rẹ — Your task: Answer the three questions above in complete Yorùbá sentences, naming each error's matrix category.

Apá Ìsọ̀rọ̀

Speaking Practice

Tier 1 — Supported

Read the model dialogue aloud with a partner, then substitute a different type of document (a letter, a summary, an advisory sheet from an earlier chapter) and identify one tone, one reference, and one register issue to discuss.

Tier 2 — Guided

Read a short passage aloud from an earlier chapter. Have a partner listen for one tone or pronunciation issue and name what they heard, then discuss together whether it reflects a tone error, an orthography error, or simply a slip of the tongue.

Tier 3 — Independent

Present a short oral editing report (60–90 seconds) on a text you have revised, explaining at least three revisions using the matrix-category vocabulary from this chapter (tone, orthography, particle, reference, serialization, word order, register).

Apá Kíkà

Reading Practice

Àyọkà Nípa Àtúnṣe Àkọsílẹ̀ Kan — A Passage on Revising a Report

Nígbà tí àjọ àwùjọ kan ń ṣètò láti tẹ ìwé ìròyìn wọn jáde, wọ́n rán an sí olùṣàtúnṣe kan tí ó ní ìrírí púpọ̀ nínú kíkọ Yorùbá tí ó péye. Olùṣàtúnṣe náà kọ́kọ́ wo gbogbo àkọsílẹ̀ náà lẹ́ẹ̀kan láti mọ ìwọ̀n rẹ̀, kí ó tó bẹ̀rẹ̀ sí ṣàyẹ̀wò rẹ̀ ní ọ̀kọ̀ọ̀kan. Ó rí i pé apá kan nínú rẹ̀ ní àṣìṣe ohùn tí ó yí ìtumọ̀ ọ̀rọ̀ kan padà pátápátá, apá mìíràn sì ní àìdánilójú nípa ẹni tí a ń tọ́ka sí ní gbólóhùn mẹ́ta ní ọ̀nà kan. Ó tún rí ìpínrọ̀ kan tí ó lo ọ̀nà kíkọ tí ó jẹ́ ìbánisọ̀rọ̀ jù, tí kò bá ìwé ìròyìn àṣẹ mu. Fún gbogbo àṣìṣe tí ó rí, ó kọ àkọsílẹ̀ kúkúrú kan sí ẹ̀gbẹ́ ojú-ìwé náà, tí ó ń ṣàlàyé irú àṣìṣe tí ó jẹ́ àti ìdí tí ó fi ṣe àtúnṣe náà, kí àwọn òǹkọ̀wé lè kọ́ nínú àṣìṣe wọn.

1. What does the editor do before beginning detailed corrections?

2. What three types of errors does the editor find?

3. Why does the editor write a short note beside each correction?

Iṣẹ́ rẹ — Your task: Answer the three questions above in complete Yorùbá sentences.

Apá Kíkọ

Writing Workshop

Edit a long text (a passage of your own or one drawn from an earlier chapter's writing tasks, 150–220 words) using the full editing checklist, then write a short explanation (80–120 words) identifying at least four revisions by matrix category. Full tone marks and dot-under letters are required throughout both the edited text and the explanation.

  • Select or write a draft text of 150–220 words in formal register.
  • Read the draft aloud once before marking anything.
  • Work through the checklist in order: tone, orthography, particles, pronouns/reference, serialization, word order/clause, register/style.
  • Mark each error you find and note which category it belongs to.
  • Produce a clean, corrected version of the text.
  • Write a short explanation identifying at least four revisions by matrix category, using the explanation frame from this chapter's vocabulary.
  • Apply the Editing Checkpoint before finalizing.
  • Sample error-log table — fill in your own text's errors
    OriginalRevisedMatrix category
    [original phrase][corrected phrase]Tone / Orthography / Particle / Reference / Serialization / Word Order / Register
    [original phrase][corrected phrase][category]
    [original phrase][corrected phrase][category]
    [original phrase][corrected phrase][category]

    Include

    • at least one correction in at least three different matrix categories
    • a clean, fully corrected final version of the text
    • a short explanation naming the matrix category for each cited revision
    • full tone marks and dot-under letters throughout

    Avoid

    • fixing a sentence without being able to name why it was wrong
    • confusing a tone error with an unrelated word-choice change
    • leaving an ambiguous pronoun reference unresolved
    • ignoring register consistency because the grammar is technically correct
    Editing Checkpoint
    • Every vowel that should carry a high or low tone mark has one, and ẹ, ọ, and ṣ are distinguished throughout.
    • Particles are placed correctly and their scope over any serial verb sequence is clear.
    • Every pronoun or reference clearly points back to one identifiable participant.
    • Word order follows the SVO frame with correct object, adverbial, and locative placement.
    • The register is consistent throughout; no sentence shifts unexpectedly into a casual or overly formal register.
    • The explanation names a matrix category for each cited revision, not just "this sounded better."

    Culture and Communication

    Culture in Context — Editing as a collaborative, respectful act

    In many Yorùbá-speaking professional and academic settings, offering a correction to a colleague's writing is approached carefully, often paired with acknowledgment of what the draft already does well. The explanation frame in this chapter models that balance: precise about the error, respectful toward the writer.

    Regional Note — Variation in formal editing conventions

    Institutions differ in how strictly they apply full diacritics in internal drafts versus final published documents; some accept lightly marked internal drafts if the final version is fully corrected. This chapter's checklist applies to the final formal version regardless of internal drafting habits.

    Common Mistakes

    Common Mistake — Correcting a sentence without naming the error type

    Error: Silently rewriting a sentence to sound better without identifying whether the underlying problem was tone, orthography, reference, or register.

    Correction: Use the explanation frame ìdí tí mo fi ṣe àtúnṣe yìí ni pé... and name the specific matrix category for every revision.

    Common Mistake — Treating a register shift as acceptable because the grammar is correct

    Error: Leaving a casual phrase or connector inside an otherwise formal report because each individual sentence is grammatically valid on its own.

    Correction: Check register consistency across the whole text, not sentence by sentence in isolation, using ó bára mu as the test question for each paragraph.

    Chapter Summary

    This chapter consolidated a full grammar and style editing checklist covering tone, orthography, particles, pronouns and reference, serialization, word order and clause structure, and register/style. Learners practiced diagnosing errors by matrix category, distinguishing tone errors from orthographic errors, repairing ambiguous reference chains, and identifying register inconsistencies, then applied the checklist to edit a long text and explain the revisions made.

    Chapter Review

    Apá A — Ìṣàyẹ̀wò Gírámà (Grammar Check)

    1. Write one sentence containing a tone-plus-dot error, then write its correction.

    2. Write a two-sentence example containing an ambiguous pronoun reference, then repair it.

    3. Write one sentence that would be a register error in a formal report, then revise it to match a formal register.

    4. Name the seven categories of the full editing checklist in order.

    5. Write one sentence using the explanation frame ìdí tí mo fi ṣe àtúnṣe yìí ni pé... to explain a revision of your choice.

    Apá B — Ìṣàyẹ̀wò Ara Ẹni (Self-Check)

    1. Which matrix category is currently easiest for you to diagnose, and which is hardest?

    2. Which editing skill do you want to strengthen before the Chapter 19 project?

    Ìfojúsí ẹkọ̀ tẹ́lẹ̀ — Cumulative review check

    Before moving to Chapter 19, confirm you can do the following:

    • Apply the full editing checklist to a long text in order.
    • Distinguish tone errors from orthographic errors.
    • Repair an ambiguous reference chain across sentences.
    • Identify a register inconsistency even when each sentence is grammatically correct.
    • Explain a revision by naming its matrix category.
    • Maintain full tone marking and dot-under orthography while editing and explaining edits.

    Practical Performance Task

    Iṣẹ́ aṣeyọrí — Abala 18

    Àtúnṣe Àkọsílẹ̀ Gígùn kan — Editing a Long Text

    Edit a long text entirely grounded in Standard Written Yorùbá and produce a clear explanation of your revisions.

    Component 1 — Edited Text

    • 150–220 words, fully corrected, with full tone marks and dot-under letters throughout.

    Component 2 — Error Log

    • At least four logged revisions, each naming the original, the correction, and the matrix category.

    Component 3 — Written Explanation

    • An 80–120 word explanation using the explanation frame from this chapter to justify at least four of the revisions by matrix category.

    Assessment note: This task provides evidence of tone and orthographic accuracy, reference clarity, register consistency, and the ability to diagnose and explain errors by matrix category. It does not assess original composition beyond the drafting needed to supply a text for editing.

    Answer Key

    Listening Practice Questions

    1. The first error is a missing or incorrect tone mark on a word that completely changes its meaning; this is a tone-category error.
    2. The second error is an unclear pronoun reference in three sentences in a row, which prevents readers from knowing who is being discussed; this is a reference-category error.
    3. After making all corrections, the editor writes a short note beside each one explaining what type of error it was and why the correction was made, so the writers can learn from their mistakes.

    Reading Practice Questions

    1. Before beginning detailed corrections, the editor reads through the entire draft once to understand its overall scope.
    2. The editor finds a tone error that completely changes a word's meaning, an unclear reference across three sentences, and a section written in an overly conversational style that does not match the formal report.
    3. The editor writes a short note beside each correction explaining the type of error and the reason for the revision, so the writers can learn from it.

    Guided Practice — Sample Response

    5. Sample response: Mo kọ "ó lo ṣe" ṣùgbọ́n ohun tí mo ní lọ́kàn ni "ó ti ṣe"; àṣìṣe yìí jẹ́ ti apá àwọn afisilò-ìṣe (particle matrix), kì í ṣe ti ohùn. (I wrote "ó lo ṣe" but what I meant was "ó ti ṣe"; this error belongs to the particle matrix, not tone.)

    Chapter Review — Apá A

    Sample answers are not provided in full for this open review, since each learner's sentences will reflect their own chosen examples. Confirm that Question 4 lists: tone, orthography, particles, pronouns/reference, serialization, word order/clause, and register/style, in that order.

    Chapter Review — Apá B

    Self-check items have no single fixed answer. Confirm your responses against the cumulative review checklist above.

    Independent Study Tools

    Fún akẹ́kọ̀ọ́ tí ń kọ́ ẹ̀kọ́ fúnra rẹ̀ — For the independent learner

    • Keep a running error log across your own writing tasks from earlier chapters, tagging each correction with a matrix category.
    • Practice reading your own drafts aloud before checking them silently, to catch tone and rhythm issues by ear first.
    • Ask a study partner to write a short paragraph with one deliberate error hidden in it; practice finding and naming the category before correcting it.
    • Before moving on, revisit any matrix category — tone, orthography, particle, reference, serialization, word order, or register — that still feels difficult to diagnose quickly.

    Looking Ahead

    Ohun tí o lè ṣe báyìí — What you can do now

    You can now apply a full editing checklist to a long Yorùbá text, diagnose errors by matrix category, repair ambiguous reference chains, identify register inconsistencies, and explain your revisions clearly in Standard Written Yorùbá.

    Chapter 19: C1-Bridge Professional/Civic Project

    Chapter 19 brings together the volume's systems in a learner-selected professional or civic project, requiring a project report, presentation, executive summary, and question-and-answer session, with no major new grammar introduced.